Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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GHISLANDI, Vittore
Portrait of Giovanni Secco Suardo and his Servant fgh

ID: 06861

GHISLANDI, Vittore Portrait of Giovanni Secco Suardo and his Servant  fgh
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GHISLANDI, Vittore Portrait of Giovanni Secco Suardo and his Servant  fgh


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GHISLANDI, Vittore

Italian Baroque Era Painter, 1655-1743  Related Paintings of GHISLANDI, Vittore :. | Portrait of a Gentleman sdg | Portrait of Count Giovanni Battista Vailetti dfhj | Portrait of Giovanni Secco Suardo and his Servant fgh | Portrait of a Gentleman sdfg | count valetti |
Related Artists:
Antonio Joli
1700-1777 Italian Antonio Joli Gallery Born in Modena, he first apprenticed with Rafaello Rinaldi. He then worked in Rome with Panini and the Galli-Bibiena studio. He became a painter of stage sets for the theater in Modena and Perugia. By 1735, he had moved to Venice and stayed till 1746, when he traveled to Germany, London (1744-48), and Madrid (1750-54). In London, he decorated the Richmond mansion of the director of the King's Theater at Haymarket, John James Heidegger. He returned to Venice in 1754, where he became on of the founding members of the Accademia di Belle Arti di Venezia. He traveled to Naples in 1762, and stayed there until he died.
Giovanni Segantini
Italian Art Nouveau Painter, 1858-1899 Italian painter and draughtsman. An exponent of DIVISIONISM, he was the only Italian painter of the late 19th century to have enjoyed an unbroken international reputation, especially in Germany and Austria.
Gustav Eberlein
1847Spickerschausen-1926 Berlin,German sculptor. He attended the Realschule in Hannoversch Menden until 1861. He was apprenticed to a goldsmith in 1861-4 and thus learnt embossing, carving, chasing and engraving. He subsequently travelled as a journeyman, finding employment in Hildesheim, then in Kassel with the court jeweller, Ruhl. From 1867 to 1870, Eberlein trained as a sculptor under August von Kreling (1819-76), director of the Kunstgewerbeschule in Nuremberg, also working as Kreling's assistant to support his studies. On receiving a grant from Elisabeth of Prussia (the widow of Frederick William IV) for three further years of study,






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